Siouxsie & the Banshees

KingLouieLouie

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I'm currently listening to their "Once Upon A Time" single compilations and lord I forgot how impressive Siouxsie & the Banshees were..... True the band's career spanned 20-years, but it seems they didnt generate much buzz in America that they deserved.... I know they finally made more of an impact in the States later in their career with such songs as "Peek-a-Boo", "Kiss Them For Me", and "Cities In Dust", but their earlier bvrash metal offerings really separated them from the masses (and with seductive Siouxsie Sioux leading the way, that certainly added a certain dimension to them as well)......

Anyone else here a fan of Siouxsie & the Banshees?
 
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KingLouieLouie

KingLouieLouie

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http://news.bbc.co.uk/1/hi/entertainment/music/4100348.stm

To me..she's still hot in that goth sorta way:

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Mojo honour for punk star Sioux

Madness

Punk star Siouxsie Sioux has beaten David Bowie and The Ramones to music magazine Mojo's top award.

The Siouxsie and the Banshees singer took its Icon award in a readers' vote.

Paul Weller took the songwriter award, The Magic Numbers were named best new act and rock band Gang of Four took the inspiration prize in a London ceremony.

Madness took the Hall of Fame award. Mojo editor-in-chief Phil Alexander said: "This was an amazing night which brought together real musical heroes."

'Spectacular career'

The awards aim to honour past and recent stars "whose careers have been responsible for enhancing our rich musical culture".

Led Zeppelin star Jimmy Page, Pink Floyd's David Gilmour, U2 guitarist The Edge and Sinead O'Connor were among the musicians to present prizes in the Porchester Hall ceremony on Thursday.

Sioux won the Icon award for her "spectacular career on a global scale", also beating the late Mark Bolan and ex-Sex Pistols star John Lydon in the process.

Accepting her award, she struck a customary defiant note when she complained about the lack of women among the winners.

"I'm the token female winner," the 48-year-old said. "I think we need a few more women up here."

Sioux - real name Susan Dallion - was part of the high-profile Bromley Contingent of Sex Pistols fans in the 1970s.

She went on to form Siouxsie and the Banshees and The Creatures, blending goth rock with world and dance music to score a total of 21 hit singles in the UK.

Madness frontman Suggs joked that his band's Hall of Fame award was a long time coming.

"We were in the pub before the award talking about the good old days," he said. "They were so long ago it's extraordinary we're still here."

http://news.bbc.co.uk/1/hi/entertainment/music/4103618.stm
Punk star Siouxsie Sioux has been honoured as an icon by Mojo magazine readers for her "spectacular career on a global scale".

The striking singer carved her 29-year career after grabbing attention as a fan of the Sex Pistols in the 1970s.

Born Susan Dallion in London in May 1958, she was part of the infamous Bromley Contingent - a group of fans who followed the Sex Pistols as they scandalised a nation.

In 1976 she joined the band on Thames Television's Today programme, baiting the London news show's host Bill Grundy live on air before the Sex Pistols grabbed headlines with their four-letter responses.

Festival debut

Later that year she formed her own group, adopting the name Siouxsie Sioux to emphasise her hatred of cowboys. Her band named itself The Banshees, after Vincent Price horror movie Cry of the Banshee.

They made their debut at London's 100 Club Punk Festival, featuring future Sex Pistol Sid Vicious on drums, Adam and the Ants guitarist Marco Pirroni and bassist Steve Severin.

Siouxsie and the Banshees ensured they drew attention with a cover of pop band the Bay City Rollers' Young Love and a 20-minute version of the Lord's Prayer.

Sioux and husband Budgie continue to record as The Creatures
They subsequently recruited guitarist John McKay and drummer Kenny Morris, secured a record deal and scored their first UK chart hit, Hong Kong Garden in 1978.

A year later McKay and Morris quit and The Cure's Robert Smith temporarily stood in as guitarist while Budgie - real name Peter Clark - joined The Banshees on drums.

Siouxsie and the Banshees went on to record 12 studio albums and score 18 chart hits in the UK, including Happy House, Peek-A-Boo, Kiss Them For Me and a cover of The Beatles' Dear Prudence.

They secured a loyal following by blending goth rock with world and dance music, creating experimental yet radio-friendly singles and extended album tracks.

Sioux's striking image - jet black hair, pale face and Cleopatra eye shadow - and defiant presence on stage and in interviews left a lasting impression.

"Women in the charts up to that point had been presenting a glossy, sanitised version of femininity - wearing little rah-rah skirts with their bellies hanging out," said Shirley Manson from rock band Garbage.

"But Siouxsie, her face painted with that tribal make-up, she came along looking like a warrior."

As Siouxsie and the Banshees continued to have transatlantic and European success, Siouxsie and Budgie formed permanent side project The Creatures.

The pair married in 1991, the year the Banshees joined the inaugural Lollapalooza tour of the US.

But in 1996, as their former heroes the Sex Pistols launched a reunion tour, Siouxsie and the Banshees responded to the wave of nostalgia by splitting up.

Siouxsie continues to record with The Creatures and collaborate with artists such as Marc Almond and Basement Jaxx, while she rejoined The Banshees for their Seven Year Itch concerts in 2002.

While presenting the Scissor Sisters with their third Brit Award in February, singer Ana Matronic turned the tables to sing Sioux's praises as a positive role model for women in music.

Banshees co-founder Steve Severin concluded: "Her influence can't be undervalued. In some sort of negative universe, she's as influential as Madonna.
 
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