Bada0Bing
Don't Stop Believin'
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This haunting classic of the silent screen is familiar to every graduate of Film 101. Like Eisenstein's Battleship Potemkin, Godard's Breathless, and Welles's Citizen Kane, Caligari helped define a cinematic school... and forever changed the way the world made movies. It's also great fun, even for modern audiences.
The film begins with two men trading horror stories. One promises the other a terrifying true tale--the harrowing story of his fiancée's narrow escape from death. Here's the story: an amoral asylum director wants to see if he can order somnambulist patient Cesare to commit murder. To this end, the nefarious doctor masquerades as a traveling showman and picks victims from the gawking carnival crowds. He sends his sleepwalker out to execute bloody deeds by night--crimes of which Cesare is barely aware. Soon, Cesare abducts the narrator's girl and is caught ... which is only the beginning of the surprises.
Caligari's world became the textbook example of 1920s German Expressionist cinema--a cockeyed dreamscape, where black-clad actors feverishly chase each other across moody, barely-realistic sets. Think of films such as Dark City or the Nightmare Before Christmas or Saturday Night Live's "Sprockets" sketches. Here's where it all began. --Grant Balfour
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Recently watched it. Not one of my favorites from IMDB's top 250 (currently #186). However, it's a must watch it you're interested in film history. I found it to be a little spooky and I like the German Expressionism style, but I liked Nosferatu much much better.
Writer Hans Janowitz claims to have gotten the idea for the film when he was at a carnival one day. He saw a strange man lurking in the shadows. The next day, he heard that a girl was brutally murdered there. He went to the funeral, and saw the same strange man lurking around. He had no proof that the strange man was the murderer, but he fleshed the whole idea out into his film.
That's really creepy.
http://imdb.com/title/tt0010323/