83rd Annual Oscars

azsportsfan01

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Oscars 2011

With the Oscars on Sunday I guess now is as good a time as any to guess who will win. Since there are way to many categories I'll only pick the major ones:
Picture: The King's Speech
Actor: Colin Firth 'The King's Speech'
Actress: Natalie Portman 'Black Swan'
Supporting Actor: Christian Bale 'The Fighter'
Supporting Actress: Hailee Steinfeld 'True Grit'
Director: Tom Hooper 'The King's Speech'
Animated Feature: Toy Story 3

If I missed any big ones let me know.
 

Chaplin

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With the Oscars on Sunday I guess now is as good a time as any to guess who will win. Since there are way to many categories I'll only pick the major ones:
Picture: The King's Speech
Actor: Colin Firth 'The King's Speech'
Actress: Natalie Portman 'Black Swan'
Supporting Actor: Christian Bale 'The Fighter'
Supporting Actress: Hailee Steinfeld 'True Grit'
Director: Tom Hooper 'The King's Speech'
Animated Feature: Toy Story 3

If I missed any big ones let me know.

I agree with pretty much all your picks.
 

Shane

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I agree with the picks in that's who will likely win. But not necessarily who I think should win.
 

Cheesebeef

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Melissa Leo wins for best supporting actress.
 

Brian in Mesa

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83rd Annual Oscars


BEST PICTURE:
Black Swan (Fox Searchlight Pictures), Mike Medavoy, Brian Oliver and Scott Franklin, Producers
The Fighter (Paramount Pictures), David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
Inception (Warner Bros. Pictures), Emma Thomas and Christopher Nolan, Producers
The Kids Are All Right (Focus Features), Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
The King's Speech (The Weinstein Company), Iain Canning, Emile Sherman and Gareth Unwin, Producers
127 Hours (Fox Searchlight Pictures), Christian Colson, Danny Boyle and John Smithson, Producers
The Social Network (Columbia Pictures), Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
Toy Story 3 (Disney•Pixar), Darla K. Anderson, Producer
True Grit (Paramount Pictures), Scott Rudin, Ethan Coen and Joel Coen, Producers
Winter's Bone (Roadside Attractions), Anne Rosellini and Alix Madigan-Yorkin, Producers

DIRECTING:
Darren Aronofsky - Black Swan (Fox Searchlight Pictures)
David O. Russell - The Fighter (Paramount Pictures)
Tom Hooper - The King's Speech (The Weinstein Company)
David Fincher - The Social Network (Columbia Pictures)
Joel Coen and Ethan Coen - True Grit (Paramount Pictures)

ACTOR IN A LEADING ROLE:
Javier Bardem - Biutiful (Roadside Attractions)
Jeff Bridges - True Grit (Paramount Pictures)
Jesse Eisenberg - The Social Network (Columbia Pictures)
Colin Firth - The King's Speech (The Weinstein Company)
James Franco - 127 Hours (Fox Searchlight Pictures)

ACTRESS IN A LEADING ROLE:
Annette Bening - The Kids Are All Right (Focus Features)
Nicole Kidman - Rabbit Hole (Lionsgate)
Jennifer Lawrence - Winter's Bone (Roadside Attractions)
Natalie Portman - Black Swan (Fox Searchlight Pictures)
Michelle Williams - Blue Valentine (The Weinstein Company)

ACTOR IN A SUPPORTING ROLE:
Christian Bale - The Fighter (Paramount Pictures)
John Hawkes - Winter's Bone (Roadside Attractions)
Jeremy Renner - The Town (Warner Bros. Pictures)
Mark Ruffalo - The Kids Are All Right (Focus Features)
Geoffrey Rush - The King's Speech (The Weinstein Company)

ACTRESS IN A SUPPORTING ROLE:
Amy Adams - The Fighter (Paramount Pictures)
Helena Bonham Carter - The King's Speech (The Weinstein Company)
Melissa Leo - The Fighter (Paramount Pictures)
Hailee Steinfeld - True Grit (Paramount Pictures)
Jacki Weaver - Animal Kingdom (Sony Pictures Classics)

ADAPTED SCREENPLAY:
127 Hours (Fox Searchlight Pictures), Screenplay by Danny Boyle & Simon Beaufoy
The Social Network (Columbia Pictures), Screenplay by Aaron Sorkin
Toy Story 3 (Disney•Pixar), Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount Pictures), Written for the screen by Joel Coen & Ethan Coen
Winter's Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini

ORIGINAL SCREENPLAY:
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount Pictures), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros. Pictures), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
The King's Speech (The Weinstein Company), Screenplay by David Seidler

FOREIGN LANGUAGE FILM:
Biutiful (Roadside Attractions), Mexico
Dogtooth (Kino International), Greece
In a Better World (Sony Pictures Classics), Denmark
Incendies (Sony Pictures Classics), Canada
Outside the Law (Hors-la-loi) (Cohen Media Group), Algeria

ANIMATED FEATURE FILM:
How to Train Your Dragon (DreamWorks Animation), Chris Sanders and Dean DeBlois
The Illusionist (Sony Pictures Classics), Sylvain Chomet
Toy Story 3 (Disney•Pixar), Lee Unkrich

ART DIRECTION:
Alice in Wonderland (Walt Disney Pictures), Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
Harry Potter and the Deathly Hallows - Part 1 (Warner Bros. Pictures), Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
Inception (Warner Bros. Pictures), Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
The King's Speech (The Weinstein Company), Production Design: Eve Stewart; Set Decoration: Judy Farr
True Grit (Paramount Pictures), Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

CINEMATOGRAPHY:
Black Swan (Fox Searchlight Pictures), Matthew Libatique
Inception (Warner Bros. Pictures), Wally Pfister
The King's Speech (The Weinstein Company), Danny Cohen
The Social Network (Columbia Pictures), Jeff Cronenweth
True Grit (Paramount Pictures), Roger Deakins

COSTUME DESIGN:
Alice in Wonderland (Walt Disney Pictures), Colleen Atwood
I Am Love (Magnolia Pictures), Antonella Cannarozzi
The King's Speech (The Weinstein Company), Jenny Beavan
The Tempest (Touchstone Pictures), Sandy Powell
True Grit (Paramount Pictures), Mary Zophres

FILM EDITING:
Black Swan (Fox Searchlight Pictures), Andrew Weisblum
The Fighter (Paramount Pictures), Pamela Martin
The King's Speech (The Weinstein Company), Tariq Anwar
127 Hours (Fox Searchlight Pictures), Jon Harris
The Social Network (Columbia Pictures), Angus Wall and Kirk Baxter

DOCUMENTARY FEATURE:
Exit Through the Gift Shop (Producers Distribution Agency, Banksy and Jaimie D'Cruz
Gasland (Rooftop Films), Josh Fox and Trish Adlesic
Inside Job (Sony Pictures Classics), Charles Ferguson and Audrey Marrs
Restrepo (National Geographic Entertainment), Tim Hetherington and Sebastian Junger
Waste Land (Arthouse Films), Lucy Walker and Angus Aynsley

MAKEUP:
Barney's Version (Sony Pictures Classics), Adrien Morot
The Way Back (Newmarket Films), Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
The Wolfman (Universal Pictures), Rick Baker and Dave Elsey

ORIGINAL SCORE:
How to Train Your Dragon (DreamWorks Animation), John Powell
Inception (Warner Bros. Pictures), Hans Zimmer
The King's Speech (The Weinstein Company), Alexandre Desplat
127 Hours (Fox Searchlight Pictures), A.R. Rahman
The Social Network (Columbia Pictures), Trent Reznor and Atticus Ross

ORIGINAL SONG:
"Coming Home" from Country Strong (Screen Gems), Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
"I See the Light" from Tangled (Walt Disney Pictures), Music by Alan Menken Lyric by Glenn Slater
"If I Rise" from 127 Hours (Fox Searchlight Pictures), Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
"We Belong Together" from Toy Story 3 (Disney•Pixar), Music and Lyric by Randy Newman

SOUND MIXING:
Inception (Warner Bros. Pictures), Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King's Speech (The Weinstein Company), Paul Hamblin, Martin Jensen and John Midgley
Salt (Columbia Pictures), Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network (Columbia Pictures), Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit (Paramount Pictures), Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

SOUND EDITING:
Inception (Warner Bros. Pictures), Richard King
Toy Story 3 (Disney•Pixar), Tom Myers and Michael Silvers
TRON: Legacy (Walt Disney Pictures), Gwendolyn Yates Whittle and Addison Teague
True Grit (Paramount Pictures), Skip Lievsay and Craig Berkey
Unstoppable (20th Century Fox), Mark P. Stoeckinger

VISUAL EFFECTS:
Alice in Wonderland (Walt Disney Pictures), Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows - Part 1 (Warner Bros. Pictures), Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros. Pictures), Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Inception (Warner Bros. Pictures), Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Iron Man 2 (Paramount Pictures, Marvel Studios), Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

DOCUMENTARY SHORT:
Killing in the Name, Jed Rothstein
Poster Girl, Sara Nesson and Mitchell W. Block
Strangers No More, Karen Goodman and Kirk Simon
Sun Come Up, Jennifer Redfearn and Tim Metzger
The Warriors of Qiugang, Ruby Yang and Thomas Lennon

ANIMATED SHORT FILM:
Day & Night, Teddy Newton
The Gruffalo, Jakob Schuh and Max Lang
Let's Pollute, Geefwee Boedoe
The Lost Thing, Shaun Tan and Andrew Ruhemann
Madagascar, carnet de voyage (Madagascar, a Journey Diary), Bastien Dubois

LIVE ACTION SHORT FILM:
The Confession, Tanel Toom
The Crush, Michael Creagh
God of Love, Luke Matheny
Na Wewe, Ivan Goldschmidt
Wish 143, Ian Barnes and Samantha Waite
 

Brian in Mesa

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Winners in red

83rd Annual Oscars

BEST PICTURE:
Black Swan (Fox Searchlight Pictures), Mike Medavoy, Brian Oliver and Scott Franklin, Producers
The Fighter (Paramount Pictures), David Hoberman, Todd Lieberman and Mark Wahlberg, Producers
Inception (Warner Bros. Pictures), Emma Thomas and Christopher Nolan, Producers
The Kids Are All Right (Focus Features), Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray, Producers
The King's Speech (The Weinstein Company), Iain Canning, Emile Sherman and Gareth Unwin, Producers
127 Hours (Fox Searchlight Pictures), Christian Colson, Danny Boyle and John Smithson, Producers
The Social Network (Columbia Pictures), Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin, Producers
Toy Story 3 (Disney•Pixar), Darla K. Anderson, Producer
True Grit (Paramount Pictures), Scott Rudin, Ethan Coen and Joel Coen, Producers
Winter's Bone (Roadside Attractions), Anne Rosellini and Alix Madigan-Yorkin, Producers

DIRECTING:
Darren Aronofsky - Black Swan (Fox Searchlight Pictures)
David O. Russell - The Fighter (Paramount Pictures)
Tom Hooper - The King's Speech (The Weinstein Company)David Fincher - The Social Network (Columbia Pictures)
Joel Coen and Ethan Coen - True Grit (Paramount Pictures)

ACTOR IN A LEADING ROLE:
Javier Bardem - Biutiful (Roadside Attractions)
Jeff Bridges - True Grit (Paramount Pictures)
Jesse Eisenberg - The Social Network (Columbia Pictures)
Colin Firth - The King's Speech (The Weinstein Company)
James Franco - 127 Hours (Fox Searchlight Pictures)

ACTRESS IN A LEADING ROLE:
Annette Bening - The Kids Are All Right (Focus Features)
Nicole Kidman - Rabbit Hole (Lionsgate)
Jennifer Lawrence - Winter's Bone (Roadside Attractions)
Natalie Portman - Black Swan (Fox Searchlight Pictures)
Michelle Williams - Blue Valentine (The Weinstein Company)

ACTOR IN A SUPPORTING ROLE:
Christian Bale - The Fighter (Paramount Pictures)
John Hawkes - Winter's Bone (Roadside Attractions)
Jeremy Renner - The Town (Warner Bros. Pictures)
Mark Ruffalo - The Kids Are All Right (Focus Features)
Geoffrey Rush - The King's Speech (The Weinstein Company)

ACTRESS IN A SUPPORTING ROLE:
Amy Adams - The Fighter (Paramount Pictures)
Helena Bonham Carter - The King's Speech (The Weinstein Company)
Melissa Leo - The Fighter (Paramount Pictures)
Hailee Steinfeld - True Grit (Paramount Pictures)
Jacki Weaver - Animal Kingdom (Sony Pictures Classics)

ADAPTED SCREENPLAY:
127 Hours (Fox Searchlight Pictures), Screenplay by Danny Boyle & Simon Beaufoy
The Social Network (Columbia Pictures), Screenplay by Aaron Sorkin
Toy Story 3 (Disney•Pixar), Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit (Paramount Pictures), Written for the screen by Joel Coen & Ethan Coen
Winter's Bone (Roadside Attractions), Adapted for the screen by Debra Granik & Anne Rosellini

ORIGINAL SCREENPLAY:
Another Year (Sony Pictures Classics), Written by Mike Leigh
The Fighter (Paramount Pictures), Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception (Warner Bros. Pictures), Written by Christopher Nolan
The Kids Are All Right (Focus Features), Written by Lisa Cholodenko & Stuart Blumberg
The King's Speech (The Weinstein Company), Screenplay by David Seidler

FOREIGN LANGUAGE FILM:
Biutiful (Roadside Attractions), Mexico
Dogtooth (Kino International), Greece
In a Better World (Sony Pictures Classics), Denmark
Incendies (Sony Pictures Classics), Canada
Outside the Law (Hors-la-loi) (Cohen Media Group), Algeria

ANIMATED FEATURE FILM:
How to Train Your Dragon (DreamWorks Animation), Chris Sanders and Dean DeBlois
The Illusionist (Sony Pictures Classics), Sylvain Chomet
Toy Story 3 (Disney•Pixar), Lee Unkrich

ART DIRECTION:
Alice in Wonderland (Walt Disney Pictures), Production Design: Robert Stromberg; Set Decoration: Karen O'Hara
Harry Potter and the Deathly Hallows - Part 1 (Warner Bros. Pictures), Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
Inception (Warner Bros. Pictures), Production Design: Guy Hendrix Dyas; Set Decoration: Larry Dias and Doug Mowat
The King's Speech (The Weinstein Company), Production Design: Eve Stewart; Set Decoration: Judy Farr
True Grit (Paramount Pictures), Production Design: Jess Gonchor; Set Decoration: Nancy Haigh

CINEMATOGRAPHY:
Black Swan (Fox Searchlight Pictures), Matthew Libatique
Inception (Warner Bros. Pictures), Wally Pfister
The King's Speech (The Weinstein Company), Danny Cohen
The Social Network (Columbia Pictures), Jeff Cronenweth
True Grit (Paramount Pictures), Roger Deakins

COSTUME DESIGN:
Alice in Wonderland (Walt Disney Pictures), Colleen Atwood
I Am Love (Magnolia Pictures), Antonella Cannarozzi
The King's Speech (The Weinstein Company), Jenny Beavan
The Tempest (Touchstone Pictures), Sandy Powell
True Grit (Paramount Pictures), Mary Zophres

FILM EDITING:
Black Swan (Fox Searchlight Pictures), Andrew Weisblum
The Fighter (Paramount Pictures), Pamela Martin
The King's Speech (The Weinstein Company), Tariq Anwar
127 Hours (Fox Searchlight Pictures), Jon Harris
The Social Network (Columbia Pictures), Angus Wall and Kirk Baxter

DOCUMENTARY FEATURE:
Exit Through the Gift Shop (Producers Distribution Agency, Banksy and Jaimie D'Cruz
Gasland (Rooftop Films), Josh Fox and Trish Adlesic
Inside Job (Sony Pictures Classics), Charles Ferguson and Audrey Marrs
Restrepo (National Geographic Entertainment), Tim Hetherington and Sebastian Junger
Waste Land (Arthouse Films), Lucy Walker and Angus Aynsley

MAKEUP:
Barney's Version (Sony Pictures Classics), Adrien Morot
The Way Back (Newmarket Films), Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
The Wolfman (Universal Pictures), Rick Baker and Dave Elsey

ORIGINAL SCORE:
How to Train Your Dragon (DreamWorks Animation), John Powell
Inception (Warner Bros. Pictures), Hans Zimmer
The King's Speech (The Weinstein Company), Alexandre Desplat
127 Hours (Fox Searchlight Pictures), A.R. Rahman
The Social Network (Columbia Pictures), Trent Reznor and Atticus Ross

ORIGINAL SONG:
"Coming Home" from Country Strong (Screen Gems), Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey
"I See the Light" from Tangled (Walt Disney Pictures), Music by Alan Menken Lyric by Glenn Slater
"If I Rise" from 127 Hours (Fox Searchlight Pictures), Music by A.R. Rahman Lyric by Dido and Rollo Armstrong
"We Belong Together" from Toy Story 3 (Disney•Pixar), Music and Lyric by Randy Newman

SOUND MIXING:
Inception (Warner Bros. Pictures), Lora Hirschberg, Gary A. Rizzo and Ed Novick
The King's Speech (The Weinstein Company), Paul Hamblin, Martin Jensen and John Midgley
Salt (Columbia Pictures), Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin
The Social Network (Columbia Pictures), Ren Klyce, David Parker, Michael Semanick and Mark Weingarten
True Grit (Paramount Pictures), Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland

SOUND EDITING:
Inception (Warner Bros. Pictures), Richard King
Toy Story 3 (Disney•Pixar), Tom Myers and Michael Silvers
TRON: Legacy (Walt Disney Pictures), Gwendolyn Yates Whittle and Addison Teague
True Grit (Paramount Pictures), Skip Lievsay and Craig Berkey
Unstoppable (20th Century Fox), Mark P. Stoeckinger

VISUAL EFFECTS:
Alice in Wonderland (Walt Disney Pictures), Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows - Part 1 (Warner Bros. Pictures), Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter (Warner Bros. Pictures), Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Inception (Warner Bros. Pictures), Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Iron Man 2 (Paramount Pictures, Marvel Studios), Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

DOCUMENTARY SHORT:
Killing in the Name, Jed Rothstein
Poster Girl, Sara Nesson and Mitchell W. Block
Strangers No More, Karen Goodman and Kirk Simon
Sun Come Up, Jennifer Redfearn and Tim Metzger
The Warriors of Qiugang, Ruby Yang and Thomas Lennon

ANIMATED SHORT FILM:
Day & Night, Teddy Newton
The Gruffalo, Jakob Schuh and Max Lang
Let's Pollute, Geefwee Boedoe
The Lost Thing, Shaun Tan and Andrew Ruhemann
Madagascar, carnet de voyage (Madagascar, a Journey Diary), Bastien Dubois

LIVE ACTION SHORT FILM:
The Confession, Tanel Toom
The Crush, Michael Creagh
God of Love, Luke Matheny
Na Wewe, Ivan Goldschmidt
Wish 143, Ian Barnes and Samantha Waite
 
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Gaddabout

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I'm so glad I didn't watch this, but I'm fairly satisfied the voters got things right this year. Also elated for Leo getting best supporting actress. She's been acting for years and I never thought much of her, but her casting was brilliant and she really brought that character to life -- and she didn't let Bale get away with chewing all the scenery, which is really hard to do. Come to think of it, The Fighter probably should've won an editing award because it was the best start-to-finish storytelling, IMO, but I wouldn't fight someone over The Social Network for that award.
 
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azsportsfan01

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Could James Franco look any more disinterested?

It almost seemed like 15 minutes into the show he realized all the material he was given was crap and decided it wasn't worth his time. These award shows always seem to use the same writers and hopefully one of these days will get some new ones. Also I think Neil Patrick Harris should be all time host for all awards. If anyone saw his stint as the emmy host a few years ago I'm sure would agree.
 

crisper57

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I just got around to watching The Fighter and 127 Hours last night. Now I've actually seen all 10 Best Picture nominees. (Yes, even Winter's Bone)

I have no problem with Colin Firth winning Best Actor, but James Franco should have been given more serious consideration. That was a hell of a performance. And if you haven't seen it, don't let the infamously graphic scene scare you off. It isn't any worse than what you'd see on Grey's Anatomy.

The score for 127 Hours was also amazing. Any other year, it would have won, but it went up againt Trent Reznor's score for the Social Network and I feel the Academy made the right call.

As for the Fighter, Amy Adams was more compelling than Melissa Leo. I still think the girl from True Grit shoulda won, though. There is no debating Christian Bale's winning performance, however, even though I was kinda rooting for Geoffrey Rush at the time. I wish there was a "Best Ensemble" category, because The Fighter would have cleaned house with all the quality performances.

My biggest beef is still with Best Director. I can't believe 127 Hours wasn't even nominated in this category. Social Network was about the invention of a website. 127 Hours was about a guy trapped by a boulder for 90% of the movie. This is pretty bland material for "moving pictures". Yet both movies were engaging and truly compelling, which means their respecitve directors' visions won the day. They should have been rewarded over yet another period piece director.

Finally, I enjoyed The Kings Speech more than the Social Network, so I initially didn't mind that it won Best Picture. But I will understand if time proves that the Social Network will be remembered as the best piece of cinema from 2010.

Looking back, it really was a great year for quality movies.
 
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Mulli

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I just got around to watching The Fighter and 127 Hours last night. Now I've actually seen all 10 Best Picture nominees. (Yes, even Winter's Bone)

I have no problem with Colin Firth winning Best Actor, but James Franco should have been given more serious consideration. That was a hell of a performance. And if you haven't seen it, don't let the infamously graphic scene scare you off. It isn't any worse than what you'd see on Grey's Anatomy.

The score for 127 Hours was also amazing. Any other year, it would have won, but it went up againt Trent Reznor's score for the Social Network and I feel the Academy made the right call.

As for the Fighter, Amy Adams was more compelling than Melissa Leo. I still think the girl from True Grit shoulda won, though. There is no debating Christian Bale's winning performance, however, even though I was kinda rooting for Geoffrey Rush at the time. I wish there was a "Best Ensemble" category, because The Fighter would have cleaned house with all the quality performances.

My biggest beef is still with Best Director. I can't believe 127 Hours wasn't even nominated in this category. Social Network was about the invention of a website. 127 Hours was about a guy trapped by a boulder for 90% of the movie. This is pretty bland material for "moving pictures". Yet both movies were engaging and truly compelling, which means their respecitve directors' visions won the day. They should have been rewarded over yet another period piece director.

Finally, I enjoyed The Kings Speech more than the Social Network, so I initially didn't mind that it won Best Picture. But I will understand if time proves that the Social Network will be remembered as the best piece of cinema from 2010.

Looking back, it really was a great year for quality movies.
I will understand when Social Network is completely forgotten as cinema. :)
 

crisper57

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I will understand when Social Network is completely forgotten as cinema. :)

Not a fan, huh?

I thought it was alot better than I was expecting, but I am glad it didn't win. But since its already made so many "Best Movie to NOT Win Best Picture" lists, I feel its legend will grow, rightly or not...
 

Mulli

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Not a fan, huh?

I thought it was alot better than I was expecting, but I am glad it didn't win. But since its already made so many "Best Movie to NOT Win Best Picture" lists, I feel its legend will grow, rightly or not...
Yeah, probably so. I think I had too high of expections. I think the movie Animal Kingdom was the best movie (that no one heard of) of the year.
 

AZZenny

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The King's Speech was an old-style movie, so I was surprised it won, but it really was a beautifully done film -- well-written, brilliantly acted by pretty much everyone -- Colin Firth has been a favorite of mine since his mere character-actor days -- very subtly directed (which is increasingly rare) and cinematography was just right for the era and topic. To my surprise, it's a movie that stuck with me longer than most.
 
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azsportsfan01

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I am glad Social Network didn't win. I thought it was a good movie but no where near Oscar worthy. I guess part of it has to do with the amount of hype I heard before I finally saw it.
 

crisper57

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Yeah, probably so. I think I had too high of expections. I think the movie Animal Kingdom was the best movie (that no one heard of) of the year.

I saw that last night. Wasn't my favorite movie. I just couldn't get into it. Not sure why. I usually love those kinds of movies.
 
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DemsMyBoys

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They've released a PG-13 version for the family. Which takes out some of the best parts of the film. But it's great business sense. And right before the Royal Wedding. Smart, smart, smart.

I thorought enjoyed it, BTW. They were dead on with the set decorations and costumes. (Unlike The Tudors which costume-wise was one big hilarious comedy of errors.)
 
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