88th Annual Oscars

[Brian in Mesa]

The 88th Academy Award nominations were announced Thursday at the Samuel Goldwyn Theater in Beverly Hills.

http://www.hollywoodreporter.com/news/oscar-nominations-2016-full-list-855670?facebook_20160114

The nominations for the 88th Academy Awards were announced Thursday morning at the Samuel Goldwyn Theater in Beverly Hills.

Actor John Krasinski, Academy president Cheryl Boone Isaacs, and filmmakers Guillermo del Toro and Ang Lee announced the nominees in all 24 categories.

The Academy Awards will be hosted by Chris Rock, and will take place at the Dolby Theatre in Hollywood on Sunday, Feb. 28, live on ABC.

 

[Brian in Mesa]

Nominations for the 88th Academy Awards:

BEST MOTION PICTURE OF THE YEAR

“The Big Short” Brad Pitt, Dede Gardner and Jeremy Kleiner, Producers
“Bridge of Spies” Steven Spielberg, Marc Platt and Kristie Macosko Krieger, Producers
“Brooklyn” Finola Dwyer and Amanda Posey, Producers
“Mad Max: Fury Road” Doug Mitchell and George Miller, Producers
“The Martian” Simon Kinberg, Ridley Scott, Michael Schaefer and Mark Huffam, Producers
“The Revenant” Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent and Keith Redmon, Producers
“Room” Ed Guiney, Producer
“Spotlight” Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust, Producers

ACHIEVEMENT IN DIRECTING

“The Big Short” Adam McKay
“Mad Max: Fury Road” George Miller
“The Revenant” Alejandro G. Iñárritu
“Room” Lenny Abrahamson
“Spotlight” Tom McCarthy

PERFORMANCE BY AN ACTOR IN A LEADING ROLE

Bryan Cranston in “Trumbo”
Matt Damon in “The Martian”
Leonardo DiCaprio in “The Revenant”
Michael Fassbender in “Steve Jobs”
Eddie Redmayne in “The Danish Girl”

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

Cate Blanchett in “Carol”
Brie Larson in “Room”
Jennifer Lawrence in “Joy”
Charlotte Rampling in “45 Years”
Saoirse Ronan in “Brooklyn”

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

Christian Bale in “The Big Short”
Tom Hardy in “The Revenant”
Mark Ruffalo in “Spotlight”
Mark Rylance in “Bridge of Spies”
Sylvester Stallone in “Creed”

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

Jennifer Jason Leigh in “The Hateful Eight”
Rooney Mara in “Carol”
Rachel McAdams in “Spotlight”
Alicia Vikander in “The Danish Girl”
Kate Winslet in “Steve Jobs”

ADAPTED SCREENPLAY

“The Big Short” Screenplay by Charles Randolph and Adam McKay
“Brooklyn” Screenplay by Nick Hornby
“Carol” Screenplay by Phyllis Nagy
“The Martian” Screenplay by Drew Goddard
“Room” Screenplay by Emma Donoghue

ORIGINAL SCREENPLAY

“Bridge of Spies” Written by Matt Charman and Ethan Coen & Joel Coen
“Ex Machina” Written by Alex Garland
“Inside Out” Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original story by Pete Docter, Ronnie del Carmen
“Spotlight” Written by Josh Singer & Tom McCarthy
“Straight Outta Compton” Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff

BEST FOREIGN LANGUAGE FILM OF THE YEAR

“Embrace of the Serpent” Colombia
“Mustang” France
“Son of Saul” Hungary
“Theeb” Jordan
“A War” Denmark

BEST ANIMATED FEATURE FILM OF THE YEAR

“Anomalisa” Charlie Kaufman, Duke Johnson and Rosa Tran
“Boy and the World” Alê Abreu
“Inside Out” Pete Docter and Jonas Rivera
“Shaun the Sheep Movie” Mark Burton and Richard Starzak
“When Marnie Was There” Hiromasa Yonebayashi and Yoshiaki Nishimura

ACHIEVEMENT IN PRODUCTION DESIGN

“Bridge of Spies” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo and Bernhard Henrich
“The Danish Girl” Production Design: Eve Stewart; Set Decoration: Michael Standish
“Mad Max: Fury Road” Production Design: Colin Gibson; Set Decoration: Lisa Thompson
“The Martian” Production Design: Arthur Max; Set Decoration: Celia Bobak
“The Revenant” Production Design: Jack Fisk; Set Decoration: Hamish Purdy

ACHIEVEMENT IN CINEMATOGRAPHY

“Carol” Ed Lachman
“The Hateful Eight” Robert Richardson
“Mad Max: Fury Road” John Seale
“The Revenant” Emmanuel Lubezki
“Sicario” Roger Deakins

ACHIEVEMENT IN COSTUME DESIGN

“Carol” Sandy Powell
“Cinderella” Sandy Powell
“The Danish Girl” Paco Delgado
“Mad Max: Fury Road” Jenny Beavan
“The Revenant” Jacqueline West

ACHIEVEMENT IN FILM EDITING

“The Big Short” Hank Corwin
“Mad Max: Fury Road” Margaret Sixel
“The Revenant” Stephen Mirrione
“Spotlight” Tom McArdle
“Star Wars: The Force Awakens” Maryann Brandon and Mary Jo Markey

BEST DOCUMENTARY FEATURE

“Amy” Asif Kapadia and James Gay-Rees
“Cartel Land” Matthew Heineman and Tom Yellin
“The Look of Silence” Joshua Oppenheimer and Signe Byrge Sørensen
“What Happened, Miss Simone?” Liz Garbus, Amy Hobby and Justin Wilkes
“Winter on Fire: Ukraine’s Fight for Freedom” Evgeny Afineevsky and Den Tolmor

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING

“Mad Max: Fury Road” Lesley Vanderwalt, Elka Wardega and Damian Martin
“The 100-Year-Old Man Who Climbed out the Window and Disappeared” Love Larson and Eva von Bahr
“The Revenant” Siân Grigg, Duncan Jarman and Robert Pandini

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)

“Bridge of Spies” Thomas Newman
“Carol” Carter Burwell
“The Hateful Eight” Ennio Morricone
“Sicario” Jóhann Jóhannsson
“Star Wars: The Force Awakens” John Williams

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)

“Earned It” from “Fifty Shades of Grey”
Music and Lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio
“Manta Ray” from “Racing Extinction”
Music by J. Ralph and Lyric by Antony Hegarty
“Simple Song #3” from “Youth”
Music and Lyric by David Lang
“Til It Happens To You” from “The Hunting Ground”
Music and Lyric by Diane Warren and Lady Gaga
“Writing’s On The Wall” from “Spectre”
Music and Lyric by Jimmy Napes and Sam Smith

ACHIEVEMENT IN SOUND MIXING

“Bridge of Spies” Andy Nelson, Gary Rydstrom and Drew Kunin
“Mad Max: Fury Road” Chris Jenkins, Gregg Rudloff and Ben Osmo
“The Martian” Paul Massey, Mark Taylor and Mac Ruth
“The Revenant” Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek
“Star Wars: The Force Awakens” Andy Nelson, Christopher Scarabosio and Stuart Wilson

ACHIEVEMENT IN SOUND EDITING

“Mad Max: Fury Road” Mark Mangini and David White
“The Martian” Oliver Tarney
“The Revenant” Martin Hernandez and Lon Bender
“Sicario” Alan Robert Murray
“Star Wars: The Force Awakens” Matthew Wood and David Acord

ACHIEVEMENT IN VISUAL EFFECTS

“Ex Machina” Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
“Mad Max: Fury Road” Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
“The Martian” Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
“The Revenant” Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
“Star Wars: The Force Awakens” Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould

BEST DOCUMENTARY SHORT SUBJECT

“Body Team 12” David Darg and Bryn Mooser
“Chau, beyond the Lines” Courtney Marsh and Jerry Franck
“Claude Lanzmann: Spectres of the Shoah” Adam Benzine
“A Girl in the River: The Price of Forgiveness” Sharmeen Obaid-Chinoy
“Last Day of Freedom” Dee Hibbert-Jones and Nomi Talisman

BEST LIVE ACTION SHORT FILM

“Ave Maria” Basil Khalil and Eric Dupont
“Day One” Henry Hughes
“Everything Will Be Okay (Alles Wird Gut)” Patrick Vollrath
“Shok” Jamie Donoughue
“Stutterer” Benjamin Cleary and Serena Armitage

BEST ANIMATED SHORT FILM

“Bear Story” Gabriel Osorio and Pato Escala
“Prologue” Richard Williams and Imogen Sutton
“Sanjay’s Super Team” Sanjay Patel and Nicole Grindle
“We Can’t Live without Cosmos” Konstantin Bronzit
“World of Tomorrow” Don Hertzfeldt

 

[Covert Rain]

Leo is going to get it this year. I can feel it. - Susan Lucci.

 

[BigRedRage]

mad max is the only movie I have seen

 

[Cheesebeef]

Rocky for the win! And Leo gets best actor. Everything else, I got no clue.

 

[BillsCarnage]

mad max is the only movie I have seen

Surprised to see it in so many categories. Worthy of some nominations, but 10 seems like a lot for that type of movie.

 

[Cheesebeef]

Surprised to see it in so many categories. Worthy of some nominations, but 10 seems like a lot for that type of movie.

not really surprised considering most of the nominations are for the technical categories, where I think it blew everything else away all year. I mean, that was a movie of massive scale, with almost all practical effects and was an absolute assault on the senses. Now, if it had gotten Best Actor/Writing noms, that would have been surprising. But film editing, costume design, production design, cinematography, sound design and editing, director and best picture all seemed like locks to me.

 

[BigRedRage]

not really surprised considering most of the nominations are for the technical categories, where I think it blew everything else away all year. I mean, that was a movie of massive scale, with almost all practical effects and was an absolute assault on the senses. Now, if it had gotten Best Actor/Writing noms, that would have been surprising. But film editing, costume design, production design, cinematography, sound design and editing, director and best picture all seemed like locks to me.

I cant speak vs the others on what would win but IMO mad max was brilliant visually.

 

[BillsCarnage]

not really surprised considering most of the nominations are for the technical categories, where I think it blew everything else away all year. I mean, that was a movie of massive scale, with almost all practical effects and was an absolute assault on the senses. Now, if it had gotten Best Actor/Writing noms, that would have been surprising. But film editing, costume design, production design, cinematography, sound design and editing, director and best picture all seemed like locks to me.

True. It'll probably clean up in the tech categories, but I don't think it'll get Directing or Visual FX. VFX will go to The Martian.

It could easily end up with 5 or 6 wins.

 

[UncleChris]

Stallone will win for best sup, but it's an emotional favorite win, IMHO. It should go to Mark Rylance from Bridge of Spies.

 

[Cheesebeef]

Stallone will win for best sup, but it's an emotional favorite win, IMHO. It should go to Mark Rylance from Bridge of Spies.

have you seen Creed? I think he's absolutely deserving.

 

[Brian in Mesa]

Winners in red:

BEST MOTION PICTURE OF THE YEAR

“The Big Short” Brad Pitt, Dede Gardner and Jeremy Kleiner, Producers
“Bridge of Spies” Steven Spielberg, Marc Platt and Kristie Macosko Krieger, Producers
“Brooklyn” Finola Dwyer and Amanda Posey, Producers
“Mad Max: Fury Road” Doug Mitchell and George Miller, Producers
“The Martian” Simon Kinberg, Ridley Scott, Michael Schaefer and Mark Huffam, Producers
“The Revenant” Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent and Keith Redmon, Producers
“Room” Ed Guiney, Producer
“Spotlight” Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust, Producers

ACHIEVEMENT IN DIRECTING

“The Big Short” Adam McKay
“Mad Max: Fury Road” George Miller
“The Revenant” Alejandro G. Iñárritu
“Room” Lenny Abrahamson
“Spotlight” Tom McCarthy

PERFORMANCE BY AN ACTOR IN A LEADING ROLE

Bryan Cranston in “Trumbo”
Matt Damon in “The Martian”
Leonardo DiCaprio in “The Revenant”
Michael Fassbender in “Steve Jobs”
Eddie Redmayne in “The Danish Girl”

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

Cate Blanchett in “Carol”
Brie Larson in “Room”
Jennifer Lawrence in “Joy”
Charlotte Rampling in “45 Years”
Saoirse Ronan in “Brooklyn”

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

Christian Bale in “The Big Short”
Tom Hardy in “The Revenant”
Mark Ruffalo in “Spotlight”
Mark Rylance in “Bridge of Spies”
Sylvester Stallone in “Creed”

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

Jennifer Jason Leigh in “The Hateful Eight”
Rooney Mara in “Carol”
Rachel McAdams in “Spotlight”
Alicia Vikander in “The Danish Girl”
Kate Winslet in “Steve Jobs”

ADAPTED SCREENPLAY

“The Big Short” Screenplay by Charles Randolph and Adam McKay
“Brooklyn” Screenplay by Nick Hornby
“Carol” Screenplay by Phyllis Nagy
“The Martian” Screenplay by Drew Goddard
“Room” Screenplay by Emma Donoghue

ORIGINAL SCREENPLAY

“Bridge of Spies” Written by Matt Charman and Ethan Coen & Joel Coen
“Ex Machina” Written by Alex Garland
“Inside Out” Screenplay by Pete Docter, Meg LeFauve, Josh Cooley; Original story by Pete Docter, Ronnie del Carmen
“Spotlight” Written by Josh Singer & Tom McCarthy
“Straight Outta Compton” Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff

BEST FOREIGN LANGUAGE FILM OF THE YEAR

“Embrace of the Serpent” Colombia
“Mustang” France
“Son of Saul” Hungary
“Theeb” Jordan
“A War” Denmark

BEST ANIMATED FEATURE FILM OF THE YEAR

“Anomalisa” Charlie Kaufman, Duke Johnson and Rosa Tran
“Boy and the World” Alê Abreu
“Inside Out” Pete Docter and Jonas Rivera
“Shaun the Sheep Movie” Mark Burton and Richard Starzak
“When Marnie Was There” Hiromasa Yonebayashi and Yoshiaki Nishimura

ACHIEVEMENT IN PRODUCTION DESIGN

“Bridge of Spies” Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo and Bernhard Henrich
“The Danish Girl” Production Design: Eve Stewart; Set Decoration: Michael Standish
“Mad Max: Fury Road” Production Design: Colin Gibson; Set Decoration: Lisa Thompson
“The Martian” Production Design: Arthur Max; Set Decoration: Celia Bobak
“The Revenant” Production Design: Jack Fisk; Set Decoration: Hamish Purdy

ACHIEVEMENT IN CINEMATOGRAPHY

“Carol” Ed Lachman
“The Hateful Eight” Robert Richardson
“Mad Max: Fury Road” John Seale
“The Revenant” Emmanuel Lubezki
“Sicario” Roger Deakins

ACHIEVEMENT IN COSTUME DESIGN

“Carol” Sandy Powell
“Cinderella” Sandy Powell
“The Danish Girl” Paco Delgado
“Mad Max: Fury Road” Jenny Beavan
“The Revenant” Jacqueline West

ACHIEVEMENT IN FILM EDITING

“The Big Short” Hank Corwin
“Mad Max: Fury Road” Margaret Sixel
“The Revenant” Stephen Mirrione
“Spotlight” Tom McArdle
“Star Wars: The Force Awakens” Maryann Brandon and Mary Jo Markey

BEST DOCUMENTARY FEATURE

“Amy” Asif Kapadia and James Gay-Rees
“Cartel Land” Matthew Heineman and Tom Yellin
“The Look of Silence” Joshua Oppenheimer and Signe Byrge Sørensen
“What Happened, Miss Simone?” Liz Garbus, Amy Hobby and Justin Wilkes
“Winter on Fire: Ukraine’s Fight for Freedom” Evgeny Afineevsky and Den Tolmor

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING

“Mad Max: Fury Road” Lesley Vanderwalt, Elka Wardega and Damian Martin
“The 100-Year-Old Man Who Climbed out the Window and Disappeared” Love Larson and Eva von Bahr
“The Revenant” Siân Grigg, Duncan Jarman and Robert Pandini

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)

“Bridge of Spies” Thomas Newman
“Carol” Carter Burwell
“The Hateful Eight” Ennio Morricone
“Sicario” Jóhann Jóhannsson
“Star Wars: The Force Awakens” John Williams

ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)

“Earned It” from “Fifty Shades of Grey”
Music and Lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio
“Manta Ray” from “Racing Extinction”
Music by J. Ralph and Lyric by Antony Hegarty
“Simple Song #3” from “Youth”
Music and Lyric by David Lang
“Til It Happens To You” from “The Hunting Ground”
Music and Lyric by Diane Warren and Lady Gaga
“Writing’s On The Wall” from “Spectre”
Music and Lyric by Jimmy Napes and Sam Smith

ACHIEVEMENT IN SOUND MIXING

“Bridge of Spies” Andy Nelson, Gary Rydstrom and Drew Kunin
“Mad Max: Fury Road” Chris Jenkins, Gregg Rudloff and Ben Osmo
“The Martian” Paul Massey, Mark Taylor and Mac Ruth
“The Revenant” Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek
“Star Wars: The Force Awakens” Andy Nelson, Christopher Scarabosio and Stuart Wilson

ACHIEVEMENT IN SOUND EDITING

“Mad Max: Fury Road” Mark Mangini and David White
“The Martian” Oliver Tarney
“The Revenant” Martin Hernandez and Lon Bender
“Sicario” Alan Robert Murray
“Star Wars: The Force Awakens” Matthew Wood and David Acord

ACHIEVEMENT IN VISUAL EFFECTS

“Ex Machina” Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
“Mad Max: Fury Road” Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
“The Martian” Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
“The Revenant” Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
“Star Wars: The Force Awakens” Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould

BEST DOCUMENTARY SHORT SUBJECT

“Body Team 12” David Darg and Bryn Mooser
“Chau, beyond the Lines” Courtney Marsh and Jerry Franck
“Claude Lanzmann: Spectres of the Shoah” Adam Benzine
“A Girl in the River: The Price of Forgiveness” Sharmeen Obaid-Chinoy
“Last Day of Freedom” Dee Hibbert-Jones and Nomi Talisman

BEST LIVE ACTION SHORT FILM

“Ave Maria” Basil Khalil and Eric Dupont
“Day One” Henry Hughes
“Everything Will Be Okay (Alles Wird Gut)” Patrick Vollrath
“Shok” Jamie Donoughue
“Stutterer” Benjamin Cleary and Serena Armitage

BEST ANIMATED SHORT FILM

“Bear Story” Gabriel Osorio and Pato Escala
“Prologue” Richard Williams and Imogen Sutton
“Sanjay’s Super Team” Sanjay Patel and Nicole Grindle
“We Can’t Live without Cosmos” Konstantin Bronzit
“World of Tomorrow” Don Hertzfeldt

 

[GatorAZ]

Right when Leo won in literally said "inb4 global warming".

 

[crisper57]

Of the Best Picture nominees, I have seen:

Spotlight
Room
The Big Short
The Martian
Mad Max: Fury Road

Of those 5, I thought Spotlight was the least deserving to win. Don't get me wrong, it was a good movie. But the other nominees that I have seen were superior.

Honestly, I thought if anything was going to benefit from a split vote and sneak in for the win, it would have been The Big Short.

 

[Cheesebeef]

best movies of the year for me were Mad Max, Spotlight, Creed and Room... probably in that order. I knew there was no way Max was going to win Best picture, held out hope for Best Director, but was really happy that Spotlight won. I thought that movie was gripping from start to finish, which was impressive because it's such a procedural type story.

 

[Chaplin]

Mad Max really cleaned up in the tech awards though.

 

[crisper57]

Mad Max really cleaned up in the tech awards though.

I am glad Leo finally won, but damn, Matt Damon as Mark Watney was my favorite performance of the year.

 

[Covert Rain]

Mad Max really cleaned up in the tech awards though.

I loved Ex-Machina but it aside from a few great FX shots, it didn't hold a candle to Star Wars. Same goes with Mad Max (which I also liked) when it came to sound.

Although, it doesn't surprise me. I read last night that the studio didn't get out the screener until very late in the process for Star Wars and they said not all the academy had time to review it. I have no clue if that's true.

P.S. I agree with the above...no chance the Academy was going to let Mad Max win picture of the year. The Academy needs some major turnover so that genre films finally get the respect they deserve. Not just "technical" Oscars.

 

[crisper57]

Here is something I would love to know:

Ennio Morricone won for Best Original Score. It is his first win, but not his first Oscar. In 2007, he received an Honorary Academy Award, presumably as a kind of lifetime achievement thing.

Has anyone else ever won their first "real" award after winning their "honorary" award?

That was something special to see.

 

[Southpaw]

Mad Max really cleaned up in the tech awards though.

Did this guy win any awards?

You must be registered for see images

 

[Bert]

I will say that the FX in Ex Machina were completely incredible. Eva was one of the most amazing things I've seen on film. And she was up close, moving slowly or not moving, point being that the effects in Ex Machina could be scrutinized much closer than Star Wars, which is more visual overload. The subtleties of the effects displayed in Ex Machina were pretty amazing.

I dont know anything about what it takes to make these technological mavels real, but after I thought about it last night, and watched Ex Machina again, I feel like I have never seen anything like what they did with Eva, and on a much smaller budget. Wheras star wars was incredible and I loved it too! But there weren't really any effects in that movie that were anything we haven't seen before.

 

[Cheesebeef]

Here is something I would love to know:

Ennio Morricone won for Best Original Score. It is his first win, but not his first Oscar. In 2007, he received an Honorary Academy Award, presumably as a kind of lifetime achievement thing.

Has anyone else ever won their first "real" award after winning their "honorary" award?

That was something special to see.

this was my favorite award of the night. That score was freaking bone-rattling.

 

[Rivercard]

BEST DOCUMENTARY FEATURE

“Amy” Asif Kapadia and James Gay-Rees
“Cartel Land” Matthew Heineman and Tom Yellin
“The Look of Silence” Joshua Oppenheimer and Signe Byrge Sørensen
“What Happened, Miss Simone?” Liz Garbus, Amy Hobby and Justin Wilkes
“Winter on Fire: Ukraine’s Fight for Freedom” Evgeny Afineevsky and Den Tolmor

It's interesting that "Going Clear" was snubbed. Should have at least been nominated.

 

[Cheesebeef]

It's interesting that "Going Clear" was snubbed. Should have at least been nominated.

oh... weird. I didn't even notice that. That was a pretty incredible documentary. For my money, nothing could beat Cartel Land though. That was incredibly well done and gripping.

 

[Rivercard]

oh... weird. I didn't even notice that. That was a pretty incredible documentary. For my money, nothing could beat Cartel Land though. That was incredibly well done and gripping.

Apparently there was quite a campaign against GC being nominated, must have worked. Definitely want to see Cartel Land, will have to get to that after finishing my Making A Murderer binge.