Cards Unveil Stadium Interior Designs

TruColor

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I'm still doing searches in my archive of stadium articles (I've been collecting these things since the Rio Salado project), but here's something from AZCentral.com from 10/23/2005:

The average fan's seat in both the upper and lower bowl will be 19 or 20 inches wide, depending on location, and made of a blown molded plastic that has the Cardinals' team insignia in relief on the seat back. Most will be red, although many will be gray to match the symmetry of the stadium's vertical glass windows and the gray "halo" of fabric overhead in the stadium's roof.

...and HERE's what I've been looking for - from AZCentral.com, 11/08/2005:

Up more stairs, Bidwill talks about Eisenman's use of the Native-American mandala symbol, a circle that represents wholeness, the universe or infinity, which appears in Navajo sand paintings, native rock paintings, and depicted in ancient ballfields.

An off-center mandala is embedded in the fabric of the retractable roof, with rays extending out to the spines of the building.

Hopefully, this answers the questions about the seats for once and for all...
 
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Redheart

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Mandala...hmmm.

The pattern of creation

The word "mandala" is from the classical Indian language of Sanskrit. Loosely translated to mean "circle," a mandala is far more than a simple shape. It represents wholeness, and can be seen as a model for the organizational structure of life itself--a cosmic diagram that reminds us of our relation to the infinite, the world that extends both beyond and within our bodies and minds.

Describing both material and non-material realities, the mandala appears in all aspects of life: the celestial circles we call earth, sun, and moon, as well as conceptual circles of friends, family, and community.

The integrated view of the world represented by the mandala, while long embraced by some Eastern religions, has now begun to emerge in Western religious and secular cultures. Awareness of the mandala may have the potential of changing how we see ourselves, our planet, and perhaps even our own life purpose.

SAND MANDALAS:
Different cultures, similar expression
Both Navajo Indians and Tibetan monks create sand mandalas to demonstrate the impermanence of life.

In ancient Tibet, as part of a spiritual practice, monks created intricate mandalas with colored sand made of crushed semiprecious stones. The tradition continues to this day as the monks travel to different cultures around the world to create sand mandalas and educate people about the culture of Tibet.

The creation of a sand mandala requires many hours and days to complete. Each mandala contains many symbols that must be perfectly reproduced each time the mandala is created. When finished, the monks gather in a colorful ceremony, chanting in deep tones as they sweep their mandala into a jar and empty it into a nearby body of water as a blessing. This action also symbolizes symbolizes the cycle of life.

A world away, the American Navajo people also create impermanent sand paintings which are used in spiritual rituals–in much the same way as as they are used by Tibetans. A Navajo sandpainting ritual may last from five to nine days and range in size from three to fifteen feet or more.

Mandalas in architecture
From Buddhist stupas to Muslim mosques and Christian cathedrals, the principle of a structure built around a center is a common theme in architecture.

Native American teepees are conical shapes built around a pole that represents the "axis mundi" or world axis.

Buckminster Fuller expanded on the dome design with his famous geodesic dome structures. The dome structure has the highest ratio of enclosed area to external surface area, and all structural members contribute equally to the whole--a great structural representation of a mandala!

Ok, the REAL reason is to counter the Pottsville-curse!!!
 

Renz

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I heard that this American Indian symbol was originally proposed, but then rejected for unknown reasons.

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HooverDam

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Renz said:
I heard that this American Indian symbol was originally proposed, but then rejected for unknown reasons.

You must be registered for see images

Im pretty sure there are some buildings in downtown Phx (built pre 1930s) that have swatikas on them as a throw back to the Indian symbol
 

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