Yea he did, on the wah wah, it's why he sings abouy noy needing it. I also think EC helped with that. He saw Claptons use and knew it could be used better, not as an influtenital part of his leads, but, a higghlight to them.
I loved what he was allowed to do with Cream, but again, super minds (the rythmn section) had other things in mind, and as it was ther last to be, nonone was out shining the three. I don't beleieve they'd ever had a guest player brfore that?
I don't know that he needed a cowriter as much as a band mate.
George died of cancer, he died trying to control the morons around him AND keep them employed, at the same time.
Who knows what, if anything, would have come of the three if he'd lived? I don't think Paul could overcome George's personality, as a writer.
But, I don't know if Paul could put his ego aside, and not be a "BEATLE" which George and Ringo did.
His "Style" is what you don't hear if your not listening, and I don't think their are much better. Not from yesterday, today or tomorrow.
Though I do know all three of them stayed friends and continued to have long nights of dinner and ukuleles after.
Check out the Concert For Bangla Desh DVD. It's a must have for music affecinados.
PS I beleieve the only thing that held george back was his message. It wasn't one with hatred of any kind, his songs were all about, are all about, love. AND us getting there.
I reiterate, this was one of the most underrated guitarists of our time. His nuances, his knowing the note, his control of his instruments. It ain't noise, it's pure bliss.
RIP George, I'll see you there soon. AND thanks for the lessons, in life, in love, and in mudic.