I've noticed a pattern that the farther in advance a movie is advertised, the worse it tends to be.
Behold the great pink outlier! (I still haven't seen it)
I've noticed a pattern that the farther in advance a movie is advertised, the worse it tends to be.
This tells me that movies aren't dead. Poorly written, poorly directed, and poorly marketed movies are dead.xc_hide_links_from_guests_guests_error_hide_media
This tells me that movies aren't dead. Poorly written, poorly directed, and poorly marketed movies are dead.
Write original stuff, and it will get the eyeballs if marketed properly.
I don't know, a female filmmaker jumping genres in an extreme fashion is pretty damn refreshing.Just realized Narnia is what Gerwig is doing next. That’s super disappointing. Losing her voice to a remake of a okay franchise film robs moviegoers of something fresh and new moving forward.
If she was making the jump to something original in that genre, I’d be jumping for cinematic joy. Jumping for a retread franchise makes me feel like we’re just losing another young/Uber talented director to franchise fare, ala Ryan Coogler.I don't know, a female filmmaker jumping genres in an extreme fashion is pretty damn refreshing.
Blows me away that it is 2023 with reserved seats, etc. and there are still people in the comments on that TikTok that feel it's totally okay to buy a ticket for film A, change your mind, and go see film B. SMH.
Yeah, but you would likely be sitting in someone else's seat given that these two blockbusters released at the same time and most showtimes were sold out. It's not like you're switching seats to go see some B movie with plenty of empty seats. When the people who actually purchased the seats show up there is confusion and you've got to move again and it's a big disruption, etc. Not like when it was open seating and it didn't matter.But whats the difference? I know seat arrangements will be off, but aren't the tickets all priced the same?
Yup.Yeah, but you would likely be sitting in someone else's seat given that these two blockbusters released at the same time and most showtimes were sold out. It's not like you're switching seats to go see some B movie with plenty of empty seats. When the people who actually purchased the seats show up there is confusion and you've got to move again and it's a big disruption, etc. Not like when it was open seating and it didn't matter.
FIFYYup.
I care a lot about where I’m sitting in a theater. If I’m not close to dead center,I’m a little pissy.
Same. The wife thinks I am picky but I like to be towards the bottom (but not all the way at the top and definitly now down in front) but dead center in the row.Yup.
I care a lot about where I’m sitting in a theater. If I’m not close to dead center, I’m a little pissy.
Wife and I finally got around to watching this last night.Just got back from seeing it. The premise had potential but I thought that the execution had a lot of stumbles. The dolls know nothing about the real world but navigate it seamlessly once they get there. Allan (Michael Cera) makes no sense -- he's a one-joke gag until his defining scene, which completely violates his character in a way that isn't even acknowledged, much less explained. (Trying to avoid spoilers here.) Will Ferrell can make almost any material work well but was given garbage to work with. The final "defeat" of the Kens was illogical and confusing. Kate McKinnon was great and they needed more of her. The end with Rhea Perlman was bizarre and reached for an apotheosis that the rest of the movie hadn't prepared at all.
All that said, I think you'd have to be a special kind of clueless to find the movie offensive. Of course it indulges in some negative stereotyping, as does pretty much any comedy under the sun. Everything is drastically oversimplified for satirical effect, and there's nowhere near the depth you find in (for example) a typical Pixar film -- but I don't think there's supposed to be. It's an intentionally distorted look at human interaction from the perspective of a main character who, by design, lives in a world of distortion and serves to propagate distortion. It's not Barbie's fault that she's incapable of nuance, and I think that's part of the point.
I just rewatched this with my daughter again and it surprisingly holds up. Now I need to watch Oppenheimer to repeat the Barbenheimer.Just watched this for the first time. What an incredible movie![]()