DeAnna
Just A Face in The Crowd
ooohh ... I just read the NYT review so now I have to go see it.
same at both of theaters I saw it at.
you know a movie has really tapped into the cultural zeitgeist when my 68 year old father calls me and in an excited huff asks "So, what do you think? Fid it drop or not?!"
honestly, following up The Dark Knight (which was probably my favorite movie seen in a theater since T2) with Inception isn't just impressive, it's miraculous these days.
CAN... NOT... WAIT TO SEE Bats 3 and whatever else comes after that from Nolan. Dude's on a mid-80's to early 90's James Cameron-like run.
Alright....I guess I'll be the controversial one on this film. Here's my take:
Really good movie. Very much enjoyed it. Great 2+ hours of having to paying attention and be sharp...like a great puzzle. Better then anything non-Pixar in the theaters this year.
Not sure I rate it as great, though.
*ducks, aware that it is loved here*
Here is my issue: Nolan is too cold of a director/writer. He's marvelously analytical. He's a master at his craft. He's excellent at creating atmosphere. But he struggles with telling an story that is fully emotionally engaging. He is missing some level of warmth and humanity in his storytelling. Something other great, blockbuster filmmakers of recent note have all had (Spielberg, Cameron, Jackson, etc).
I really have enjoyed all his films, but I like them for the puzzles, the craft he displays, and in the case of The Dark Knight, the scale, the graphic novel dark ambiance and the bravura Joker performance. But none of them appeal for their humanity. The characters are too cold, too distant, too withdrawn into their own worlds...too robotic.
I think this shows in particular in Inception. It was masked in The Dark Knight somewhat, due to the epic nature of the film and action. Inception relies on a love story for it's emotional core. And that just didn't do it for me. Even the draw of a father's children on him was remote and hazy, rather than real and vibrant.
Hopefully Nolan gains something in this space in future movies...puzzles with humanity...if so, he'd be the best around.
actually, as one of those fawning over this movie, i think your criticism is spot on. as soon as you raised the idea of emotional void in a seemingly emotionally-driven twist i realized you were right. very interesting . . .
it's funny you both mention that. Halfway through the movie, I was feeling the same thing until Cobb explains how he knows Inception works. That drew me in emotionally, whereas up till that point, I was just really enjoying the cleverness. Combine that with the last hour of incredible cross-cutting action and I was sold 100%.
that being said, I can still see what you're talking about. Nolan definitely doesn't wear his heart on his sleeve like old Spielberg, Cameron and Jackson. I think Nolan's more of a blockbuster movie-making latter day Kubrick than the other guys.
That being said, I'll put The Dark Knight up there with any Indiana Jones, Terminator or LOTR.
it's funny you both mention that. Halfway through the movie, I was feeling the same thing until Cobb explains how he knows Inception works. That drew me in emotionally, whereas up till that point, I was just really enjoying the cleverness. Combine that with the last hour of incredible cross-cutting action and I was sold 100%.
that being said, I can still see what you're talking about. Nolan definitely doesn't wear his heart on his sleeve like old Spielberg, Cameron and Jackson. I think Nolan's more of a blockbuster movie-making latter day Kubrick than the other guys.
That being said, I'll put The Dark Knight up there with any Indiana Jones, Terminator or LOTR.
I didn't think there was a constant emotional draw but I disagree it was devoid. There were several scenes. When he went to the university, when you see him struggle with going under alone, when he is followed into his own dream, the next several scenes where he deals with Mal. Though I didn't think there was this emotional "punch" of a scene, I thought there was enough of it to humanize his experience.
Ha....at our showing there was a big "intake of air" collectively from the audience.
so let me ask you guys who saw it.
When he spins his talisman at the end does it keep spinning or stop?
Notice when it cuts to black it just starts to move...the tiniest bit. Thoughts?
That's the point. Does it stop? Or doesn't it? Some people I talk to didn't like that ending because it makes you leave wondering just what is reality. I'm neutral on it, personally, because the movie before that moment was so good.
I liked the ending alot.
Just rewatched this on a stellar blu-ray, and it was already a brilliant film, but it is twice as good now. There was a lot of ambiguities and questions in the first viewing, but things started making more sense in the repeat viewing.
Just a brilliant, brilliant movie. I know many will point at Dark Knight as Nolan's best, and I love that movie, but as pure cinema, Inception is his best film.
Agree. I just saw this. I want to watch again. Excellent.
I bet you thought this movie was believable right?
They didn't have a crap scene about them walking out of Fenway easy peasy.