Heucrazy
Pretty Prince of Parties
Kevin Smith makes a good movie finally.
You've obviously never seen Mallrats, Clerks, Dogma, or Jay and Silent Bob Strike Back. All classics IMO.
As for Zack and Miri I liked it a lot.
Kevin Smith makes a good movie finally.
You've obviously never seen Mallrats, Clerks, Dogma, or Jay and Silent Bob Strike Back. All classics IMO.
As for Zack and Miri I liked it a lot.
You've obviously never seen Mallrats, Clerks, Dogma, or Jay and Silent Bob Strike Back. All classics IMO.
As for Zack and Miri I liked it a lot.
All of the bolded are GARBAGE.
Clerks, good, every thing else drivel with regurgitated jokes and characters.
Your term of Classic is exactly why I said "finally", its been a long time that he has done anything good considering you yourself are calling his best movies Classics already, meaning its been a long time.
All of the bolded are GARBAGE.
You guys both take it back on Mallrats. :safe:
And Chasing Amy was also great.
Garbage
Garbage
Chasing Amy was Smith's most mature movie. It stands alone.
Clerks was an accident with some strong writing and great cultural timing.
Mallrats was a farce ... but probably the most quotable of all his movies; I think Smith just made the huge casting mistake of putting Jeremy London, one of the worst actors of the 90s, in the lead.
Dogma, to me, was garbage, not for its content but for its ridiculous assumption that anyone outside of a Catholic upbringing would relate to it. It did have the most powerful scene Smith ever shot, and that was the initial conflict between Affleck and Damon. That was genius. Brilliant.
Strikes Back was one big inside joke for View Askew fanboys. If you didn't have a membership to Smith's message board, you probably didn't get most of the humor.
Smith made Jersey Girl for his mother. You have to understand why to get the movie, which is why I think so many people trashed it. It was a personal challenge.
Clerks 2, for me, was a travesty. I wanted to beat Smith over the head with a film canister for that one. Beyond self-indulgent -- and he's not a master filmmaker who can get away with that.
Zack & Miri appears to be Smith's first real honest attempt to make a movie beyond his original universe of characters. Can't wait to see it, and I'm happy to see him plugging into a better field of comic actors than the ones he grew up with.
I still say Smith's true calling is as a writer, actor, and lecturer. I've found him MORE funny in all three of those roles. He made Catch & Release watchable.
IIRC, Smith had very little to do with the casting of the film. The studio was in control of most of the film, which would explain the alternate beginning. KS has admitted that Mallrats was pretty much a disaster all the way around.
That's not the way Smith felt when he was recording the commentary. I was not aware he had changed his opinion.
The movie killed as a home rental, much like Clerks, and at least a few years after its release he was still blaming Grammercy for its failure at the box office. In the commentary he jibed that if Universal had been doing the box office distribution and marketing, Mallrats would've been received much better by the press and public.
I agree with that sentiment, too. For all its weaknesses, it's still many times better than the other teen movies of the time. And who else could make this line funny?:
"It's not a schooner, it's a sailboat!"
Chasing Amy was Smith's most mature movie. It stands alone. Clerks was an accident with some strong writing and great cultural timing. Mallrats was a farce ... but probably the most quotable of all his movies; I think Smith just made the huge casting mistake of putting Jeremy London, one of the worst actors of the 90s, in the lead.
Dogma, to me, was garbage, not for its content but for its ridiculous assumption that anyone outside of a Catholic upbringing would relate to it. It did have the most powerful scene Smith ever shot, and that was the initial conflict between Affleck and Damon. That was genius. Brilliant.
Strikes Back was one big inside joke for View Askew fanboys. If you didn't have a membership to Smith's message board, you probably didn't get most of the humor.
Smith made Jersey Girl for his mother. You have to understand why to get the movie, which is why I think so many people trashed it. It was a personal challenge.
Clerks 2, for me, was a travesty. I wanted to beat Smith over the head with a film canister for that one. Beyond self-indulgent -- and he's not a master filmmaker who can get away with that.
Zack & Miri appears to be Smith's first real honest attempt to make a movie beyond his original universe of characters. Can't wait to see it, and I'm happy to see him plugging into a better field of comic actors than the ones he grew up with.
I still say Smith's true calling is as a writer, actor, and lecturer. I've found him MORE funny in all three of those roles. He made Catch & Release watchable.
IIRC, Smith had very little to do with the casting of the film. The studio was in control of most of the film, which would explain the alternate beginning. KS has admitted that Mallrats was pretty much a disaster all the way around.
Garbage
I agree with everything expect that Clair Forlani was worse than Jeremy London and that was hard to do. Doesn't matter though, cause Jason Lee stole the show.